fish wrote:Unfortunately it seems Sweden is much like the rest of the world in that its film industry is so completely dominated by the big budgets of the US studios that even the excellent films have to play second fiddle in the cinemas, and also in the eyes of the critics.
Thats half true.
Hollywood blockbusters seems to be easier for capturing the mainstream crowds, which is why it dominates the cinemas.
But, the critics hardly gives them any favoritisme, they get more or less the same treatment as homegrown productions, I belive.
If the film is awful, it'll get butchered, and praised if it's wonderfull, whether it's Scandinavian or from anywhere else in the world. (Although critics is sometimes way off in their review, but thats just different oppinions anyway)
The everyman moviegoer on the other hand, often goes for the blockbuster though, good or bad, it seems.
With the exeption of some exellent films of course. FÅ blew away Titanic both in Norway and Sweden, as you may know.
(Oh my, now I'm rambling
)Noomi might had it easier breaking through in the U.S becouse she has more "action blockbuster appeal" (discovered from Millenium) I guess. Which is why she was cast in such as Prometheus and Sherlock Holmes.