Dahls wrote:Hmm, well, I don't quite agree that posting old pics with recurring conversations cheapens it to much degree. We just deal with what we got.
Uh-huh...the sensible, pragmatic view...
Dahls wrote:The whole forum is based on a 15 year old film and anything related, in which we very rarely see new stuff, but it's still a fun and interesting place to hang around, even if most pics have been seen ages ago.
I don't mean to be snide about it - I'm sure Fish knows how much we [and all our phantom lurkers] appreciate his efforts; I'm proud of the thread as a Bourka tribute, and its only competition is the tumblr stuff, which you now must sign in to see more than a short sample of [so they can stick that] - but I do think that many reposts, including my own, dilutes the thing. Reworkings, well, that's kind of a grey area...
OK, 'cheapens' was perhaps a bit strong
Dahls wrote:The fact that a google search mainly shows pics from NdP isn't that strange either really, since it's by far her most known film, at least abroad from France....
No indeed, Gurgle presumably just shows what's out there; what I find strange is that artmedia seem rather
laisser-faire in the matter of recent pix/news/major film roles...I also get a bit creeped, sometimes, by the overall impression the Net gives that la B is still a 15-year-old
gamine.
Dahls wrote:But I do understand your frustration of course.
Hang in there, I'm sure Pauline's got a bright future in the film business, such talent surely can't go to waste.
Yes; and I've observed before that the French media industry is quite large enough, and self-contained [perhaps even Chauvinistic?

] enough, that an actor can have a perfectly viable career just within it, and I gather many do. Given the way Hollywood behaves, I truly couldn't blame PAB for choosing to stay the hell out of it, and just work in France/Europe.
However, like you I suspect that she is a world-class talent - that's why I started this thread - and should be treated as such.
So far only Samuel Doux'
Au Septieme Jour has done this, from what little I've seen; and I reckon it paid off big time doing so, artistically if not financially - a pity they didn't think [or weren't budgeted?] to subtitle it.