fucking-amal.com

I certainly don't mind. Great way to bring'em out of the shadows anyway. Give a little taste, and they'll be joining to see more

Yeah - see what you're missing?

DMt. wrote:Ummm...isn't that Vahina Thingy*?

That's Elise Grasle with the seemingly lascivious intentions.

And I don't mind at all Dave.
It's a lovely pic which I'm afraid will disappear forever next time Bourka changes her profile pic.


Another Cannes smile.

Lascivious intentions make the world go round.



They're fun too.

fish wrote:...Another lovely "Cannes" smile...

Until someone's hand found its way onto someone's knee.

The visible intimacy that Sciamma created in the making of NdP is one of the the glories of the film. It was the same with Lukas and FA, and Tomas Alfredson with LTROI, they all gave the talented young people involved the dignity of their feelings, and complete charge of them; and surprise surprise, they were rewarded with magnificent performances. I suspect there is a general lesson to be drawn here.

fish wrote:...Until someone's hand found its way onto someone's knee. ...

Right back atcha Louise.



Agree with you all the way there Dave.
It seems to have carried over into the excitement of Cannes as well.

Cannes again.
But this one is too lovely not to post.

Fish wrote:But this one is too lovely not to post...

"...your Honour, and furthermore there is no question of a profit motive here; it is fair use in the current discussion..."

I've given up trying to register so I could buy pics from bildbyrå.
Scanpix were to only ones that even replied and they said "No".
Apparently I needed to run a newspaper or magazine.
So now I have no guilty conscience.

Magnifying that shot gives a real sense of the claustrophobic pressure of media attention, not to say control [the pointing hand at lower left frame] - they're clinging to each other like shipwreck survivors. Still looking great though, tremendous esprit de corps.

DMt. wrote:...they're clinging to each other like shipwreck survivors...

An excellent analogy.
They must feel like that, totally surrounded by a sea of photographers all yelling out instructions.
I think it must take a special kind of person to handle the pressure.

Still at Cannes.



Cute dimples too.
Never noticed them before.

Constrained by the paucity of new Acquart material as we are, it's no wonder we find ourselves recycling old stuff

But we try Dave.
The young lass just needs to get out more.

In the meantime, back at bloody Cannes.



I have a few thoughts on where new(ish) pics and stuff might be but the sheer volume to be checked is taking more time than I have available.
Nevertheless the gruntw*rk must be done.