Uh, Kristen Stewart

[DMt.]

...and it's a very nice reality too, Fishy, but this one looks so beautiful...



Linked from itsoktobeyou.org [as it certainly is].

[DMt.]

I think K's co-star Nicholas's expression says;

"Look, I know it's Kristen Stewart but could you just stop with the camera? It's lunchtime, you understand?"



KS: Must not kill photographer. Deep breath. Must not...kill fan photographer. Deep breath...I can grow some more soul;
it doesn't matter. Deep breath. It's OK, it's just part of the cost of all this. Deep breath.

*

Ladies and gentlemen, the female Elvis is in the building. Did you see that Japanese character over her head, that looks like a K? The kid just can't get a break.

[fish]

...Did you see that Japanese character...

It probably follows her around everywhere, hovering just over her head.
Amazing what they can do with Hollyrock special effects, isn't it?

... but this one looks so beautiful...

Oh yes.
I like that reality too.

[Dahls]

It probably follows her around everywhere, hovering just over her head.
Amazing what they can do with Hollyrock special effects, isn't it?

Just like at nights with a crescent, right?
When there's a D following me around.



Sils Maria is still on undecided at our theater.
I might have to wait for the dvd, which is in like forever.

[DMt.]

Just like at nights with a crescent, right?
When there's a D following me around.

I wasn't there and it wasn't me and you can't prove anything.

Sils Maria is still on undecided at our theater.
I might have to wait for the dvd, which is in like forever.

Yes, it almost hurts, and I want to see it it right now, too. I suspect CoSM is going to go off bang all over the world, myself, what with two of the most-loved actors on the planet flying at the top of their game; and the only way it could be any hotter for me would be if La Bourka were involved. [I was really happy when I gathered that the French press refer to la GB as La Binoche, just as we refer to l'Acquart, as a mark of respect. THE Binoche, THE Acquart...]

I also have high hopes for Camp X-Ray, despite Lane Wossname and the absence of any Grande Binocherie at all.

[DMt.]

Also, K and la GB so hated working together that they're doing it again in The Big Shoe.

[DMt.]

K et la GB again, this time a Russian cover for Interview mag; they look kind of...amused, to me;

http://imgbox.com/cpmwDtyt

[fish]

They're hating it.
You can tell.


Nice one.
I'll have to subscribe to the Russian version too now.

[DMt.]

[DMt.]

[DMt.]

[DMt.]

Vanity Fair France interview, lovingly re-transmitted by http://www.itsoktobeyou.org pro bono publico;

http://www.itsoktobeyou.org/2014/08/kristen-on-cover-of-vanity-fair-france.html#more

Excerpt;

VF: "...I remember what you told me a few years ago, that the people who were making you audition for commericials were trying to make you smiley and that it felt overplayed for you. Or that they were complaining that you looked a little boy-ish. What do you think those first experiences taught you?

KS: I attribute those first steps to my ability to do this job. It's asking you to be at ease despite the excessive attention. If I hadn't started that young, I don't think I could have done it after. It's not really my thing to just stand in the middle of a room. But I really wanted to be an actress and I wanted to be in movies. I wanted to do like my parents.

VF: There were working in the cinema industry, right? Your mother was a screenwriter and your father a producer, they sometimes brought you on set If I remember correctly.

KS: I used to look at them and think that they were doing the coolest thing that one can do in their lives. And as I wasn't really fitting the mould of the child star, that I didn't want to be famous or make the general public happy, I was cast by an incredible young director, Rose Troche, in a film called "The Safety of Objects", exactly for what I was, a tomboy. You could hardly tell me apart from my brother. As a child, I was quite confident with myself, but in school, when you're not accepted as a girl who is supposed to look like a girl, it's hard. I hated when people told me: "Hum, you now, you don't really look like..." I was being called a boy and all that. For a short moment, it really affected me. And then it stopped because when I started working, I didn't think of it as weird anymore. I was cool. I was liking myself. I thought I was really lucky to be known in that industry as a child, because, if you're on the right path, it's the most open and welcome environment that I know. It's a magnetic field which attract the most diverse personalities. Tons of progressive and subversive agitators who love asking questions and express themselves. Shit, that's beautiful. It's incredible, I love it. I'm so happy and proud to be a part of this. Actors are strange people with a curious nature. They want to live other lives than theirs, even if it hurts, just for the pleasure of telling a story.

VF: Why do you think that starting acting at a young age mattered that much for you?

KS: The root of everything, as I said before, is that I loved the state my parents were in when they came back home after working sixteen hours on a set.

VF: Didn't you say once that you liked to smell them?

KS: Yeah. If I find a bag that I had on a set and that I haven't used in a long time, I can smell the scent of the place or the smell of the set. I can literally smell all the olfactory fragments of this experience. My mom is a screenwriter and puts all her scripts in some sort of pack that always smelled of manual labor, coffee spilled on it and the smoke because of the special effects like the dust from an explosion. It's what attracted me at first. It's as if you had walked miles and miles all day. Where did you go, what made you get up in the morning and leave the house. I knew that it had to be interesting. I knew that if my parents got up and went to work for sixteen hours, that it had to be cool and enthralling. And then I knew what it was like to feel it and to share it. You don't find it just like that, it's a feeling that you have to dig very deep to find, and then you can share it; it's fucking hard job and it's an act of faith. You have to make yourself available for something that won't necessarily happen immediately. And when it happens, it's the most exciting thing I know, and that's what keeps me going. I will never stop looking for that. I love this quest. It's what I love the most, Searching, finding, digging, digging and digging even more.

VF: What's funny, is that people who work with you never describe you as someone anxious who is always sitting down and standing up. But most portraits describe you like that.

KS: On set, there are actually moment where I'm vibrating, and I love that feeling. It's a different sensation. It's at ease with this awkwardness. "

[fish]

Seems like it was a great interview with lots of in depth thoughts and emotions from KS.
Great find.

Well done IOKTBY too.

[DMt.]

Every time I think I've found something good about K, they've got there first. Those IOKTBY girls are really on the case!

[DMt.]

Yok-to-be, Yok-to-bye...