by snaps » Sun May 09, 2010 5:28 pm
GLORIOUS '39 (2009): Rating by Snapsie = ****
Very Good. Directed and written by Stephen Poliakoff (The Lost Prince, Shooting the Past, Friends and Crocodiles). Britains foremost writer/director of dark mystery/ intrigue in historical context).
Star studded cast, young and old, led by Romola Garai, with Bill Nighy, Jenny Agutter, Julie Christie, David Tennant, Juno Temple, Christopher Lee, Corin Redgrave, Hugh Bonneville, Jeremy Northam etc.
The Indian summer of 1939 and war is declared on Germany. Knee-jerk paranoia by the government brings in immediate draconian measures: suspension of habeas corpus, summary arrest, internment, censorship, evacuation, closure of schools, theatres, cinemas and BBC TV. As far-reaching as anything that might be expected under Nazi occupation.
But what of the increasingly quiet ''appeasement'' faction? But who are they and how extensive is their network. Outside the formal political circles they include aristocrats keen to cling on to power, privelege and prosperity. They also harbour well-meaning people with horrendous memories of the carnage of World War 1. But the circle extends to outright Nazi sympathisers in the police, military, civil service, military and intelligence establishments.
Overnight they have become potential traitors and collaborators, but how will they react? Will they acquiesce and become patriots, ready to turncoat on their fellow travellers or at least submit to silence. Or will the die-hards be driven underground into subversion? Coercion, blackmail, abduction, and assassination have now become the currency of communication.
Against this backdrop the human story is played out of Anne, a film actress and the adopted daughter of an apparently liberal-leaning wealthy aristocratic political family. Anne becomes increasingly convinced that her family is somehow engaged in the intrigue. But which members, and on whose side are they playing? Or are her notions fuelled by boredom, an overactive creative mind, or possible mental instability inherited from her hazy origins? The story gathers pace. Events are matched by the psychological decline and isolation of Anne, leading to its truly hair-raising Hitchcock influenced denouement.
Although this is a fictional story, it is based on the reality of one of the least edifying periods of British history. The shady facts and truth about those dark times from September 1939 to May 1940 have long since been buried and concreted over by the Establishment in ‘the national interest’.
A definite must-see film of great originality and seat-gripping tension.
(Review by Snapsie)