Thank you for your interest. Within the next week I will post some notes on ''work in progress''. The extracts and sketches I have posted may appear to be a confusing montage (or is that blancmange ?  

 ) Perhaps the notes will help to explain how the plot and character planning fit together. The format is very fluid at this stage.
The ''Man In Two Minds'' set in January 1945 just before Hitler's retreat to the Führer-bunker is the oldest historically. I'm sorry about the confusion of  "maybe Switzerland, Germany, or Austria." this was a last minute addition by me to detract from the illustration of the viewing bacony at the Berghof, Hitler's mountain retreat at Berchtesgarten. It is basically a rewrite of an old story by Sam exploring the mind(s) of Hitler  

 I used it as a way of explaining the logic  behind the central focus on ''The mystery of Chako Paul''. Originally it was going to be a three-way conversation between Hitler, Himmler and Mengele. It just seemed a more entertaining way of letting the plot unfold.
We know that the story of Chako Paul is REAL, although the TRUTH is a myth. I have sought to give explanations to some essential questions: why would 20,000 women be located there (they are the selected seedcorn of a new Aryan destiny), how come they seem invisible(they live deep underground, plus they are vampires), how do they survive the cold (cryogenic hibernation), what do they survive on (blood tranfusions), how did they get there etc (as part of the Mengele plot, transported in 1945). 
On reflection I wouldn't use this at the beginning as it gives too much away, but probably as part of the denouement, at the final confrontation between Blomkvist and Salander ranged against the forces of darkness as the Chako Paul ''nest'' is about to be revived and unleashed. Perhaps as a story recounted by a cryogenically revived Mengele (the new self-proclaimed Führer). 
I'm not sure that theLocal.se is really the best place for posting my material.  I'm revising my approach. This is especially so with the major disclosure (if you follow the spats between Eva Gabrielsson and the Larsson family)  that ''Yellow Bird'' acquired ''continuation rights'' on the Stieg Larsson ''intellectual property'' (i.e. principally the characters of Blomkvist and Salander).  In other words, the rights are not as restricted as previously believed. ANYONE could write a sequel and have it published and made into a film by Yellow Bird.  

 <<<<<< me, me, me !! 
I don’t write like Stieg Larsson (if only!) my style is consciously sparse like flashfiction and has elements of Stephenie Meyer and Michael Moorcock present. What I am consciously trying to do is to drive the plots forward into the context of 2010. So themes like the rise of the far-right Sweden Democrats, the Wikileaks/ computer hacking revelations, the darkside of Sweden e.g. the Eugenics sterilisation programme against the Sami from 1935 onwards, all come to bear.  The principal characters also need to age a few years, develop but without becoming dull.    
