Céline Sciamma interview snippet [from
http://www.cinemien.nl/sites/pers_persmappen/6037_persmap.pdf ];
"
Then there is Marie, who can be considered the main character of the film and who is above all an observer…She is the most childish and the youngest. I wanted their bodies to be different and most of all not get caught up in the fantasy of cotton underwear. Marie is a mix of grace and awkwardness. She is the main character but paradoxically, she is the one who observes most. She has a goal to reach but she is above all an observer. I was interested in that for the main character. She examines but we’re going to examine her too. Through her, I wanted to talk about the moment when inescapable desire is born.
For her, the birth of this desire is unpredictable. It happens in real time and the viewer has to experience it at the same time as her. We accompany her seduction, understanding and suffering. I wanted to embody the moment that lasts a few days, when awareness is born… it is the birth of the feeling of love seen from a very physical angle. I wanted to avoid a sociological study. For me, homosexuality is not a subject, it’s a journey. Generally speaking, the film stops where most films dealing with the issue start.
Before anything else; Naissance des Pieuvres/Water Lilies tells how we fall in love. The prism of homosexuality allows me to talk about the birth of love in a different way. It gives me the chance to film things that have never been filmed before like the scene where the two girls take each other’s virginity.
[What??? - DMt.] But through these three characters, the film says all forms of desire are inevitable, all forms of desire are unappeased and Marie’s possibly contextual homosexuality does not make her a martyr."
"To learn who rules over you, simply find out who you are not allowed to criticize" - Voltaire